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Set in a post-apocalyptic future after the 2092 impact of an asteroid resulting in all manner of horrors and a world that Lord Humungus would be happy to live.

You inhabit the body of former US Marine Nick Raine, who was put into status via the Eden project to protect some of the population after the asteroid impact.

, but have since dropped into obscurity and that is where FWS comes in!

So yes, Nolan shoots for the fences in “Interstellar” and arguably does not connect in the same home run fashion he has for so many pictures in a row now.

The dialogue can be really on the nose, while the ending some see as jumping the shark.

Admittedly clunky in spots, it’s a film that will very likely only grow in estimation over time. “Dawn Of The Planet Of The Apes” (2014) After Tim Burton’s dreadful 2001 version, few had high hopes for the second reboot of the classic “Planet Of The Apes” series in a decade when Rupert Wyatt’s “Rise Of The Planet Of The Apes” arrived.

But the film was a quiet, unexpectedly moving triumph, and was then exceeded on every front by Matt Reeves’ follow-up, one of the few sequels that trumps the original.

Kelly, just 26 when the film was released, handles things with real flair (and a great ear for song selection), and while the Director’s Cut only makes the mythology more impenetrable, it’s a fascinating sci-fi puzzle-box on top of everything else. “Battle Royale” (2000) The premise of kids killing each other in a government-supported game has now been popularized to billion-dollar effect with the (very good) “Hunger Games” franchise, but if we were going to choose one film in this tiny sub-genre, it was always going to be “Battle Royale.” The final film from Kinji Fukasaku sees a class of high school students fixed with explosive collars and forced to kill each other as part of a scheme intended to curb teen disobedience.

Lean, bloody, and with terrific action sequences (Quentin Tarantino called it his favorite film of the previous two decades), it’s also more than a mere genre piece: the students, and even their teacher (a smartly-cast Takeshi Kitano) are sensitively and three-dimensionally drawn, and its power as metaphor, both examining the power of violence and the demonization of youth, elevates it far above the tales of Katniss & co.

That’s still true to an extent, but the last decade-and-a-half have seen a flourishing of smaller-scale, ingenious sci-fi pictures, as well as some dazzling bigger-scale examples with more ideas per se than explosions and laser fire.

And with “Ex Machina” proving to be surprise hit this spring, the sci-fi idiom is the next in our Best Films Of The 21st Century So Far series (read Horror, Animated Films, and Music Documentaries).

Sci-fi is almost as old as cinema itself —1902’s Georges Méliès’ “A Trip To The Moon” is generally seen as the first example— but it became hugely popular in late 20th century filmmaking in the aftermath of “Star Wars,” if also somewhat watered down.

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